Charles Campbell and Farheen HaQ with Yuxwelupton Qwal’qaxala (Bradley Dick)
This collaborative project intersects our practices as visual artists, racialized bodies and guests on these territories. We ask the question: How does our creative work of making space for our voices and experience meet the ground and history here?
“What I see us recording is the movement of time and the way that the rock is not solid, and the way that it’s been cracked and formed and changed and it moves…”
“The effort we’re making to find our place on this land, to touch it and be grounded by it, also speaks to our ungrounding, to the places we’ve been disconnected from, where we no longer have a place.”
– Farheen & Charles in conversation
With support from the Art Gallery of Greater Victoria